But, thinking beyond what is scripted for its mere sense of creativity is the philosophy of life. It excels its objective form to attain more subjective analysis to unveil a broader horizon. It transcends beyond a finite edge to search for a greater space full alluring infinity in its sky, clouds and environment. This is what that makes human superior to other species just in like manner as life itself makes living beings superior to non-living beings.
Yet, it is pretty intriguing fact to experience that essentially what is there before us is nothing beyond a structural pattern of some elements and the science tells us of only a few sub-atomic particles that do the splendour in creating whatever we see. What has ever enthused me to ponder over how it can then differ from inanimate objects to living beings, trees, and to its higher echelon ending with intellectually superior human beings? If particles have finite and definite strength and properties, then it should universally have similar effects for all its compounded functionality. If such power is its real power, then there can be no unreal consequence of its effects in similar situation. But, this happens, and it happens more often that it does not in this world of our experience.
Before analysing in this way and much before I could acquire some elementary idea from the views of the greatest philosophers, I had always been queerly fascinated in perceiving the world itself as an unreal world. It included and includes my own existence, my ancestors, my descendants, and all that is there in this world of experience. And, with years of maturing, I have become more inclined to believe that the creative sense is just a thought—just a message—for glorifying a scripted conflict of real and unreal experiences. I cannot sense why should there be such conflict and why should it continue—for whose interest and wishes; but, I find myself more comfortable in believing in a philosophy of life that tells of unending allurements in thinking processes that make it sustain through creative expressions.
Often I think of an image—maybe, a reflection of great mountain range upon placid face of a lake or a virtual portrait upon a mirror or just a photographic sheet that holds the past for years together. What intrigues me is how far they are real. People will definitely convince themselves in doubting over its either real or unreal existence. But, they are in full view before me; so they should be real. Light reflects it before my eyes, reveals it to create sensation. If my vision is real, and if my sensation is real, then what causes it to respond should also be real. But, a reflection of that mountain series can never reach us to a reality beneath the face of that lake, or the photograph of the past cannot be a real fact of experience for many who have not experienced it their own eyes. Then they must be unreal. But, can an unreal object cause real sensation ? If that be so, then there must be something inherent to sensation which does not depend on the object’s real or unreal existence and it is only a creative sense that reflects itself in its own wishes to experience real in unreal or unreal in real or in any other permutation of those experiences.
But, even when we accept that the creative sense can perceive and translate any subjective observation of real or unreal into any chosen form of its wish, then it should also express uniformly for everyone having such creative sense. An unreal thing may have dissimilar effect on various observer for its fundamental void in objective existence, but how can a real object appear differently; it should have uniform effects upon the observing minds for its finite causable existence. Surely, it does not happen in our experienced world. Our experiencing remains dependent upon observing minds—the subjective self. Thus, the objects cannot be a real object. The world we see cannot be a real world. The observer cannot be real observer. Only the thought is real; it only carries the power to bring about any result it wishes to see. And, there lies the creative sense to explore reality in an observed unreal existence and it flourishes in the conflict of real and unreal world within the thought process.
What I intend to present here is nothing more than a few words that will float in the net for a finite time; it has its origin in my own thoughts, but shall remain afloat in the world of unreal existences. People from all over the world writes articles, uploads images and share feelings and thoughts over the net; they all float in an imaginary world where nothing is presented in real ink or colours, people read in knowing not where it is stored. The creative world of our real exchange of expressions also yields before the world of unreal objects.
Forget this article in such a fashion that it keeps on floating forever in the void between those two worlds—the real and unreal.